1969_Temptation_polychrome-wood_pencil-signed_Fran-Moyer_Zacha-opening
Temptation, pencil signed polychrome wood by Fran Moyer (1969) in the bay wubdiw at the opening show for Zacha’s Bay Window Gallery (1970)
Temptation, pencil signed polychrome wood by Fran Moyer (1969) in the bay wubdiw at the opening show for Zacha’s Bay Window Gallery (1970)
Figures from the Crucifixion, No.13, Stabat Mater. From the 13th Century Latin hymn “Stabat Mater”, a meditation on Mary who weeps as she stands at the Cross on which her son is dying: “Stabat Mater dolorosa, Juxta Crucem lacrimosa, Dum pendebat Filius.”
Awarded the Gold Medal, Western Sculpture and Print Annual, Oakland Museum of Art, 1954
Welded steel; height 42″.
Figures from the Crucifixion, No.13, Stabat Mater. From the 13th Century Latin hymn “Stabat Mater”, a meditation on Mary who weeps as she stands at the Cross on which her son is dying: “Stabat Mater dolorosa, Juxta Crucem lacrimosa, Dum pendebat Filius.”
Awarded the Gold Medal, Western Sculpture and Print Annual, Oakland Museum of Art, 1954
Welded steel; height 42″.
Clown 6: Put on a Happy Face, by Fran Moyer (1973). Back. Polychrome ceramic. Private collection.
Clown 6: Put on a Happy Face, by Fran Moyer (1973). Side view. Polychrome ceramic. Private collection.
Clown 6: Put on a Happy Face, by Fran Moyer (1973). Polychrome ceramic. Private collection.
Label for the exhibition of Fran Moyer’s welded steel sculpture Torero in the American Sculpture 1951 show at the Metropolitan Museum of Art in New York. Note: “Torero”, a bullfighter, not “Torrero”, a lighthouse keeper.
Label for the exhibition of Fran Moyer’s marble sculpture Mystic in the American Sculpture 1951 show at the Metropolitan Museum of Art in New York.
Still Life with Blue Cat (detail). Polychrome wood table by Fran Moyer. Private collection.
Still Life with Blue Cat (detail). Polychrome wood table by Fran Moyer (1969). Private collection.
Still Life with Blue Cat by Fran Moyer, Polychrome wood table (30″), 1969. Private collection.