CS197700_Eye-of-Memory_acrylic_38x42_Charles-Marchant-Stevenson

The Eye of Memory by Charles Marchant Stevenson (1977). Stevenson layers image upon image to create an impression of architectural drawing which is in fact as imprecise as dreams. Re-envisioned through the prisms of love and memory, Charles Marchant Stevenson creates an idyll of his childhood home in Maryland, in which his parents live forever, taking their ease in sun-dappled shade. Acrylic on canvas (38” x 42”). SKU: CS197700

The Eye of Memory by Charles Marchant Stevenson (1977). Stevenson layers image upon image to create an impression of architectural drawing which is in fact as imprecise as dreams. Re-envisioned through the prisms of love and memory, Charles Marchant Stevenson creates an idyll of his childhood home in Maryland, in which his parents live forever, taking their ease in sun-dappled shade. Acrylic on canvas (38” x 42”). SKU: CS197700

CS197555_Chester-Anderson_I-am-the-beauty-of-the-divine-manifestation_ink_20x24_Charles-Marchant-Stevenson

Chester Anderson: Beauty of the Divine Manifestation by Charles Marchant Stevenson (1975). The inscription is in Chester Anderson’s hand: “In all things, great and small, I am the Beauty of the Divine Manifestation.” In Charles Marchant Stevenson’s multiple portrait of Chester Anderson, the artist refers to Renaissance allegorical painting in which the figure of Truth is presented naked, Truth having nothing to hide. Charles Marchant Stevenson is the illustrator of Chester Anderson’s cinematic novel of Greenwich Village in 1964, Fox and Hare: the story of a Friday evening (Entwhistle Books, 1980). Pen and ink drawing, hand signed and dated, and pencil signed by Chester Anderson (20” x 24”). Full size lithograph reproduction: SKU: CS197555

Chester Anderson: Beauty of the Divine Manifestation by Charles Marchant Stevenson (1975). inscription is in Chester Anderson's hand: "In all things, great and small, I am the Beauty of the Divine Manifestation." In Charles Marchant Stevenson's multiple portrait of Chester Anderson, the artist refers to Renaissance allegorical painting in which the figure of Truth is presented naked, Truth having nothing to hide. Charles Marchant Stevenson is the illustrator of Chester Anderson's cinematic novel of Greenwich Village in 1964, Fox and Hare: the story of a Friday evening (Entwhistle Books, 1980). Pen and ink drawing, hand signed and dated, and pencil signed by Chester Anderson (20” x 24”). Full size lithograph reproduction: SKU: CS197555